the definitive version of broken, meticulously prepared by trent reznor and nin art director john crawford. remastered in 2016 on 180 gram vinyl, with lots of details attended to that you may never notice but we care about. one 12 inch vinyl with etching on the flip plus 7 inch with 2 tracks.
original release date: september 22, 1992.

the remixs: pointsman – we dont know who he is but he provide a deep big room monster.
tripmastaz - probably the only funky russian you will ever meet. the only russian artist with releases on cocoon, minus, desolat, cadenza. the only russian artist with 4 vinyl labels. hes funky housey remix is the most faithful of the four.
bpmf – schmer label head provides a grimey and noisey big bottom soviet style jam.
steve stoll - nyc acid legend made a hard banging acid tracer.
in 1996 serotonin label heads selway and szostek went to moscow to perform at the invitation of &#1055,&#1058,&#1070,&#1063, magazine. synapse performed at the -waterclub- and met the legendary dj compass vrubell. they went to his -studio- where he had perfected the art of making entire tracks out patterns on the yamaha dx-5. szostek brought a dat of these jams back to nyc and schmer-003 dj rx-5 -a taste for crap- was released as a small run white label in 97. the run sold out and disappeared to be forgotten forever... until 2016 szostek casually mentions its existence to techno uber-nerd nina kraviz who just had to have it for her -fabric 91- cd. so dj rx-5 was back from the ash heap of history and schmer got a new release from him on schmer07. then schmer got the word out far and wide that they d like a remix ep for two of the originals: compass provided stems because like a miracle he still had the patterns after 20 years. heeding the call were pointsman, tripmastaz, steve stoll and schmer s own bpmf. so this is what you get: -a taste for remix-. it will leave your lips wanting more, for sure!

jun kitamura most known by his capricious label started a music event space knock in koenji tokyo. koenji is famous for giving unique music and art culture. now knock starts its own label. the labels first release is debut ep by yoshinori sakaguchi s project helios trismegistus. jun kitamura also gives a remix.

2lp + including mp3+wav version, hq art with gold print, black polylined innersleeves brand new 2017 album on very own new label - prins thomas musikk. after the slightly more conceptual principe del norte-album, 5 takes two steps forward and one step back collecting a batch of tracks that was recorded right after it s preceder and in tandem with the recent square one-album with bjoern torske. a freedom-album of sorts, beyond the slightly misleading album opener here comes the band there s a variety in these tracks tracing inspiration from 35 years (unhealthy)obsession with all things good music played enthusiastically. 5 also marks the launch of my new label prins thomas musikk

one of the most pivotal figures in the history of malian music is sorry bamba. his work spans five decades and his music bridges the gap between mali s cultural traditions and new the music which arose from the musical cross overs which occurred in mali s post-colonial period. bamba was born in 1938 in mopti. this is dissected by both the niger and bani rivers and known for its rich cultural diversity. bamba s father was a distinguished veteran of emperor samory toure s military and a nobleman in malian society, however, this meant young sorry was forbidden to make music, as under the nation s caste system, music was an art form reserved for the griots.
in 1977 sorry produced his second lp for the paris based sonafric group. long out of print africa seven is pleased to be re-issuing the lp. the re-issue benefits from extensive restoration and re-mastering to a spectral analysis level, bringing and polishing long lost and distorted sounds.
check out african seven for further re-issues of sorry bamba third and first lp.

fans von the knife, grimes, goldfrapp oder little dragon dürfen hier die ohren spitzen. kenner der alben von sam dust ebenfalls! der junge brite, der besser bekannt ist als la priest und musikalischer partner von connan mockasin als soft hair, hat xenoulas selbstbetiteltes album nämlich produziert. xenoula ist romy xeno. ihre kindheit verbrachte sie in südafrika, wo sie von der traditionellen musik der dorfnachbarschaft sowie den klängen der natur geprägt wurde. aus dieser zeit stammt ihre vorliebe für flora und fauna und eine gesunde skepsis gegenüber der technischen welt. als sie mit 16 jahren nach großbritannien zog, war sie konfrontiert mit einer modernen welt voller ihr unbekannter und flüchtiger eindrücke. gespickt mit erinnerungen aus ihrer südafrikanischen kindheit, verwendet sie ihre musik heute als ein kontrast und kommunikationsmittel mit dieser neuen umgebung. die musik ist ihre art, die menschlichen wiedersprüchlichkeiten zu erkunden, die sie auf ihren reisen durch europa kennenlernte. heute lebt romy im ländlichen nord wales.

just in time for the end of summer dark leader snaps back with it’s third release for 2017. for dark leader 004 collins brings us 3 futuristic electro cuts for his die mädchen ep.
it all starts off with luna (traum model), a track that takes the listener to the part of the mind reserved only for very late nights and early mornings where the lines between the real and unreal become blurred.
next up is lotte (kampf modell) an aggressive electro number that turns the dance floor into a battlefield from a war where humans finally overtake the machines.
finally collins takes us on a hypnotic journey that interweaves sadness and beauty with alenka (trauer modell), a track that reconnects you to memories and past experience, an odyssey that you won’t soon forget. dark leader 004 is housed in a full color jacket featuring cover artwork by eleanor’s mannequin art, design by eric adrian lee, and mastered by timothy stollenwerk.

dancefloor alert! restoration records celebrates its ten years of activity with 4 fully-fledged club oriented tracks produced by its stalwarts lucretio and marieu, also known as the analogue cops and xenogears. the marshall is a four hands analogue cops night affair about heavy rhythms and blues, glittering cymbals, fiery breaks, and the art of sampling. lucretios deliver is a classy big room jacking tune fuelled with jumbo balearic chords, dense reverbs and a proto-digital acid line. marieus see ya tomorrow is a raw happy house anthem with a touch of jazz and a relentless drive. finally, the duo darkest moniker xenogears wisely crafted a polyrhythmic techno ground-shaking tune injected with analogue sparkles and pervaded by a steel-sky atmosphere.

the new album from omd

the darkness at dawn ep channels a dystopian wild west from the astral plane, a blurred out trip into subdued euphoria, pitched amens, darkcore stabs and psychedelic blues drenched dub. released on digital and heavyweight (180g) black vinyl, shrink wrapped and housed in a full art reverse board sleeve featuring an original illustration by artist and label owner alex eveson (dead mans chest).

introducing the fourth release from southern lights, dedicated to releasing high-end modern techno. our fourth release is a journey into magnetic realms and cosmic orbits from modern heads with the ‘elementi comptabili’ ep.
modern heads is the production brainchild of dino sabatini and gianluca meloni, who together have pioneered their version of timeless techno, always capturing their vision of the future in the present. elementi compatibili comprises of four elements. elemento a and c are both beautifully crafted ambient excursions, both softly navigating their way along celestial paths. elemento b and d move from ambient bliss to more sharper, moving sequences.
the hypnotism is more pronounced and a signature style of modern heads, elements that have been previously showcased on outis music, dozzy records and stroboscopic artefacts. for lovers of fine art and fine techno. limited to 300 copies, 180-gram vinyl.

thavius beck’s much-anticipated 12 song album is a record full of raw & unfiltered truth revealed through his rhythmic vocal reflections and electronic production perfection. released worldwide on monday september 18th, 2017 on one-of-a-kind kaleidoscopic 12” colored vinyl, housed in a variety of hand-screenprinted and collectible outer jackets featuring stunning art by jon ryan. digital downloads include the bonus remix of lead single “spectacular vernacular” by mono/poly.

the second release on andras tongue-twisting label punp. corn opens with a minute of hard-panned stereo banjo a deep bassline close on its boots. dust strikes a more sombre note - the distant bleep of a doof lost in a cloud of red dirt and radioactive fallout. are those rave whistles or geiger counter clicks? seal the doors and take a landcruiser tempo tour of a contaminated atomic test site. high fructose samples from the frozen food isle. hot-music that’s still cold in the middle. all songs written and published by andrew wilson. recorded in melbourne, australia. art by art.

elysium erschien 2012 und offenbarte eine weiterentwicklung im sound und in der musikalischen entwicklung der pet shop boys. der kompositionsprozess begann, als die pet shop boys mit take that auf tour waren, einige tracks entstanden sogar schon im jahr 2008.
das album wurde gemeinsam von den pet shop boys und andrew dawson produziert, der als soundingenieur viel an kanye wests album »808s & heartbreaks« mitgearbeitet hatte – ein album von dem neil tennant damals »leicht besessen« war. die düstere atmosphäre in den texten von elysium spiegelt sich im sound des albums wider.
neil tennant: »es ist einerseits sehr ›deep‹ im sound – es hat eine menge sub-bass – aber es ist auch tiefgehend, was die inhaltlichen themen betrifft und die art, wie sie formuliert werden. aber ich finde, es ist das schönste album der pet shop boys.«

double vinyl gatefold album with heavyweight black vinyl, 20pp booklet, 30cm x 30cm art print and downloadcode.
the desecration of desire is the first album in 14 years from techno heavyweight dave clarke. the follow up to his acclaimed 2013 album devils advocate the new album is a dark, ruthless journey including features by mark lanegan, mt. sims, gazelle twin, anika and louisahhh and reinforces his title as the baron of techno, a moniker given him by the late, great bbc radio dj john peel.

with their 4th release, blaq numbers welcomes jesse bru on their original imprint - bringing you a solo ep full of pure blaq gold! the title track was also crowned by a heavily jazzed up remix from folamour - we hope you enjoy this release just as much as we do!
early support by: sampling as an art, jaques renault, roman rauch, kevin over, loz goddard, black loops, cinthie, m.ono, jad & the, seb wildblood, baldo and many more...

ntroducing mr. eff. part myth, part man. dragging by the arm to safety through digital swamps and haunted houses, the parallel stands as a singular vision of miltonian proportions. small vignettes and passing scenes give way to grandiose and beautiful moments, from the wave-sleaze of midnight predator to the pre-credits suicide-tribute of h e a r t t h r o b, the parallel works as much for drive time as it does for drifting off to a far off land that is both wonderful and strange. not to be ignored. art by eric. a lee.

an addendum horrificata to the fantastic lp, haex-hrll aka dj overdose returns from the nether regions of space with a louder dancefloor cut of sleeper hit north of warren accompanied by witchy and dread filled extras. remixes are provided by label heads antoni maiovvi who takes test tube babies from the further from the truth lp into tripped out waters and vercetti technicolor, who reimagines north of warren for blood-soaked 90s hollywood vampires. brand new master by brassica! art by eric a. lee.

in the year 2053, two japanese musical explorers by the names of katsuyoshi and yousuke, travelled to the city of breda in the netherlands. whilst drinking beers in a park near the train station, they stumbled upon an old, partially decayed usb stick, hidden behind a trashcan. with usb technology being long absolete by then, they had no way of checking what was on there until returning back home to tokyo, where yousuke still had a macbook from around the turn of the century tucked away under his bed. after retreiving the data, the stick turned out to contain two 128kbps mp3s of unreleased coco bryce material. utilizing an extensive and painstaking radiocarbon dating procedure, they managed to pinpoint the production date to the spring of 2017. the tokyo natives then proceeded to reverse the mp3s back to their initial wav format via state of the art 2053 audio technology, and emailed them to richy at binary feedback, who subjected the files to a spot of mastering. richy immediately recognised the tunes from a series of youtube id request videos that had been doing the rounds for the previous 36 years. being the shrewd business man that he is, he decided to contact rick sanchez, who in turn teletransported the tracks back to 2017, dropping them off at an undisclosed dutch pressing plant. romanian visual artist raw parigi was contacted to sort out the labels, after which the records were pressed up and distributed to shops across the globe, hopefully making their way into the homes of hundreds of jungle and drumfunk enthusiasts worldwide. amen

this album is the result of a long personal journey and is conceived as a series of small tales.on stage or on cd, the dreamlike world of renart will take you away. between solitary experimentation and acclaimed electronic performances, he keeps surprising us.renart weaves melodic and melancholic atmospheres through tales which give free rein to our interior wanderings. at the crossroads of repetitive musics, 70s psychedelic rock and modern techno, renart creates powerful nagging rhythms and sharpens his future tracks in his misty castle of malpertuis.

after twenty years at the center of the electronic scene, the enigma that is chlo? still stands. while chloe has long transcended her image as the dj behind legendary club night pulp, headlining the rex as well as clubs and festivals throughout europe, endless revisions represents yet another deviation from rigid genre classification, deepening the often-linear perspectives on current music. a rich and multi- faceted work, the artistas captivating third album drifts from one mystery to the other, harkening back to philosopher theodor w. adornoas maxim: the task of art today is to bring chaos into order.

“art and science can only develop with the free and mutual influence of the contemporaries. respecting always, everything that the past bestowed upon us.”
after a short hiatus, ownlife’s tenth release has been revealed. presented as crossover, this project merges the ideas of the artist behind it. well known producers in the scene due to make their appearances in other renowned imprints. hardware jams, sharp arrangements and out of the four-to-the-floor land excursions, are some of the characteristics of this episode, where the combination of preterite reminiscences with the actual formulas, achieves an interesting balance in both sides of this new maxi-single.

juris boiko (1954-2002) and hardijs ledinš (1955-2004) were the core members of the nsrd, which is best known as latvian avant-garde, postmodern, experimental and underground music group active in 1980s.
their activities were widely multidisciplinary and they can not be considered as purely musicians since none of them had a professional musical education. their creativity was manifested through variety of media – music, performance and action art, visual arts, poetry, samizdat, the introduction video art in latvia etc. nsrd also made a significant contribution to the explanation of the theoretical aspects of art in the interpretation of the postmodernist movement, and developed the independent concept of “approximate art”. at the end of the 80s, nsrd got connected and performed with several artists and musicians living in west germany, including indulis bilz&#275,,,,,ns, micky remann and maximilian lenz aka westbam and others.
the vinyl release includes a download code.

1997. drexciya dont have no phone. theyre too busy to do your remix. mad mikes response was short and to the point, enough to put off some, but not vincent koreman. addicted from an early age, the dutch producer dug deeper and deeper into the mythology and mystery of james stinson and gerald donald. the sounds, images and ideas conjured up by the detroit electro duo pulled koreman in, his fascination growing ever more intense as the underwater dwellers sonically prospered. fast forward twenty years and that fascination has not diluted one drop, in fact the aquatic dream of the wavejumpers is the inspiration for recolonization. these tracks would have never had existed, says koreman, if it wasnt for stinson and donald creating that great, energetic, abstract electronic music and coupled it with an original vision on the african diaspora, art and culture. this music is an homage to th e enigma of drexciya, a tribute to the machine marine men who pioneered electro and a vision. drvg cvltvre continues that vision, one of an underwater race that has reconquered earth, overcoming big business, corporate greed and water pollution to reclaim the surface from man. forget mankind. our time is over, recolonization is here.

the third release on beer is here and it contains something of an all-star cast. we got terrence parker remixing jamie 3:26 & masalo + art of tones, it s pretty damn hot! limited stamped 12inch

electronic music label sheik ‘n’ beik announces snbv012 the ‘vaadhoo’ ep from mr. dello. this ep is the second release in series aimed at celebrating the diversity and history of new york and its boroughs. as sheik ‘n’ beik’s hometown and source of constant inspiration. the label focuses the spotlight to pay homage to the five boroughs of new york including manhattan, queens, brooklyn, staten island and the bronx. each boroughs flag is given a modern and colorful twist via the cover art and design of each outer jacket. the first release in the series, manhattan, featured local nyc heroe and co-founder of voodoo down records, n’conduit.

another 1960s 7inch soul gem, unearthed and held up to the light courtesy of rocafort records. the heroine of this story is atlanta born delia dee dee gartrell, schooled in the art of gospel and jazz, but banned by her mother to sing any r n b that is until delia met the mighty hannibal, a powerhouse bluesy soul producer and future husband who put her up where she belonged and got her singing about stuff that her mother wouldn t have approved of. mid-tempo stomper, i must be doing something right, is an irresistible sassy classic, originally the b side of the single if you got what it takes (they can t take what you got) released on maverick records. the horns and drums tease the toe-tapping rhythm along while delia belts out with raw fire about not being a great looker, cook or housecleaner for her man, but when its time for sleeping, he thinks i m something outtasight. i must be doing something right. cheeky in spirit, chunky in swing. full of all the urgency and feistiness you d expect from a repressed southern soul vocalist. written by delia and hannibal, fight fire with fire boasts a similar production style but this time with a prominent electric guitar riff, emotive strings and heavenly backing vocals. describing the cheating man who s gonna get exactly what he dishes out, delia reads out the riot act with more punchy promise than threat. a must for all 7inch soul collectors, a thing of rare beauty.

the artist known as g-23 continues his journey to the head of the gum under the schooldesk underground with this release on torn hawks valcrond video. this multi-faceted italian producer also deploys weirdo sounds under the name secret rave and strange audio dreams, often on his own label art-aud. he has also released under the alias moscow death disco on helena hauff s return to disorder. remixes of access code from valcrond affiliates decor and mr. husk start off each side. both will pound and smear club meat all over the countertop. lets pound those veal cutlets so thin you ll be able to see through them like flesh-pink stained glass. a2 brings us the sleazy slouch of bleep shots. it sure sounds like a crew of developmentally impaired bullies out to steal your lunch money, so hold on to your fanny pack. finally, the title track closes things out in a brilliantly uncomfortable way. ars trip is a headache you d pay to have.

after delivering the 8th polybius trax’s release under myriadd s alias, craig stainton strikes again. and this time he does it under the name of mantra with 4 tracks of jackin , acid house and acid techno. besides publishing as mantra in mythical labels like bunker, solar one music and abstract acid, he has done so in djax-up-beats, crème organization, chiwax, gnosis, boe recordings and many more with his other alias and projects: acid phreex, craig stainton, monofonix, myriadd, modular men and nite vision. with this ep and with its predecessor in the label -a new day- (pt008), shows us of his mastery in the art of invoicing dance music under the different strands of acid.

the debut album from atcq, originally released in 1990, back on double 12 inch.

for the past two decades, ivan smagghe has perfected the art of making spaced-out clubbers dance, has ridden a fine line and run his label les disques de la mort. rupert cross is a london-based composer who has worked with michael finissy and julian anderson as well as writing music for television and theatre. before/after ma, an album which sat on the fringes of experimental music passed through an industrial particle accelerator. s&c give you the tracks codenamed timothy dalton (according to ivan, the laser sound in the track reminded us of flash gordon). neither pop, nor psychedelic, nor ambient, nor house, nor techno, nor post punk nor even new wave are spared, but none are singled out. to nurture this proto-album, the duo also called upon the talents of tim felton, the outstanding guitarist from the cult band broadcast.

a new reference of the prestigious spanish techno label injected poison records. after a year since from her last release on vinyl, during this time, we have been able to see some of her releases in digital format, but, it’s vinyl time, we have generated enough waiting and now we can enjoy a powerful vinyl, with a magnificent work of art and design for collectors and four powerful tracks with 3 of the best producers of the techno scene. we are proud to welcome our well-known label partner christian w nsch and a new member of the pole group, p.e.a.r.l. at the vinyl we can listen two original tracks from the owner of the label, jose pouj, with two remixes of christian w nsch and p.e.a.r.l. the release date will be available in september. enjoy.

auf dem debüt-album “raised under grey skies” von jp cooper versammeln sich 13 songs aus unterschiedlichsten musikrichtungen. es verschmelzen elemente von hip hop, stand-up-soul und country-inspirierten gitarrensounds. in seinem ersten vorboten “september song” verpackt der künstler all diese genre zu einem aufregenden track. jp produziert tiefgehende und ergreifende musik und schreibt aus seinem leben: “es gibt kein image, das ich pflege, ich lebe einfach mein leben und schreibe darüber. es ist eine erfahrung. ich bin nicht unnahbar. ich glaube, dass mir die leute durch meine art vertrauen, ich habe keine fassade. ich glaube, dass das die menschen interessiert und sie neugierig macht. und hoffentlich gefällt ihnen, was sie bei mir finden und hören. ich weiss, dass die zukunft und der erfolg ungewiss sind, und ich mache mein ding nunmehr schon seit ein paar jahren, aber irgendwie fühlt es sich gerade für mich so an, als wäre dies jetzt erst der anfang. und das ist sehr aufregend.”

there is a sense of urgency increasingly infecting the human condition, fragmenting our attention span, accelerating our needs and often influencing our motives when making creative decisions. the result is a lack of dynamics, there is no ebb or flow, its “go” time, all the time. electronic music is one of the clearest examples of a widening division between great art created in a deeply imaginative vaccum and the soulessly formulaic and branded product that serves the impatient masses. what draws the esp institute to benedikt frey is his ability to operate on the fringe, outside the constructs artists constantly channel themselves into - his art speaks a pure language that is realized by any means necessary, a process devised solely to articulate his own message, one delivered with patience, never rushed nor dictated by the outside world. artificial was written and produced over two years, tirelessly sculpted into a sequence abstract pieces that are fiercely independent but accumulate layers of meaning when collaged. it is electronic and rhythm-based, but never reliant on any prescribed instrumentation, arrangement or expecatation. this is our idea of well conceived and executed album, not simply a collection of tracks but a complex narrative that unfolds over peaks and valleys, pulling the listener into emotional corners before leaving a residual impression. some may describe music very well in words, but there is always something lost in translation - a story only the music itself can tell.

kscope are extremely proud to be the home of the new studio album from tangerine dream, entitled quantum gate, released to coincide with and celebrate the 50th anniversary of the foundation of the band.
tangerine dream have been a fundamental influence on electronic and progressive music since their formation in west berlin, 1967. inspiring genres, musicians and other art forms, from the future sound of london to porcupine tree, the widely popular tv show stranger things (for which their music also featured in) to seminal video game grand theft auto v (for which they helped to write the soundtrack). the group, led by edgar froese, have received seven grammy nominations, written over 100 studio albums and developed instantly recognisable synth-based instrumental music based on a meditative musical experience, that came to prominence in the 70s and 80s.
the new album, quantum gate features an updated, contemporary development of their trademark sound: sequencer-driven electronica covering a wide range of moods and atmospheres from ambient soundscapes to energetic, upbeat moments.

bursting from the bubbling underground club scene of tel aviv, bauhaus records is a record label headed up by veteran scene originators and world renowned the block club first residents dj’s amichay matyas and yogo, in partner with well-experienced label and artist manager, udi niv. buahuas records aims to provide a creative ground for a collective of local underground electronic producers & djs, emphasizing the art of organic & analog sound and down to earth house music. their experience of nearly 20 years of playing for tel-aviv’s underground dance floors, regularly rubbing shoulders with pioneers and leaders of house, disco and techno as well as their vast milage in the dj booth, enables them to cherry pick the hidden treasures and unknown local gems of their scene whose highly secretive to many others while unofficial edits and tracks have already played in biggest clubs and venues in the past year, bauhaus are finally ready to share their official debut release, presenting the label’s prime producer.

40 of prince’s greatest songs on 4 lps plus exclusive photo art prints by herb ritts.

»slade alive!« erschien am 24. märz 1972 und war das erste live-album der britischen rockband. die lp erreichte platz 2 der uk album-charts und konnte sich in den billboard top 200 in den usa (# 158) platzieren. seit der veröffentlichung zählt »slade alive!« zu den populärsten live-alben aller zeiten.
zum 45. jubiläum der erstveröffentlichung von »slade alive!« erscheint der longplayer in einer neuen edition in der serie »the art of the album« auf 180 gramm vinyl im klappcover inklusive 6-seitigem booklet.

mick has been active in the seedier corners of electronic music for more than 30 years, first immersing himself in the world of hi-nrg and new wave before embracing the house, techno, acid and electro explosion of the late 1980s. aligned with dj hell in the 90s and more recently the intergalactic fm crew, hes the quintessential selector. a life spent digging in the undergrowth for deviant dance music has given him the edge that makes a truly gifted spinner, without riding on hype or studio productions. however, mick isnt adverse to the odd outing on vinyl, having previously appeared on international dj gigolos both solo and as the kinky lovers with sometime partner isabella venis, but these moments are few and far between. for this release on arma, mick has given us two edits that speak to his distinctive style as a dj the original tracks are cult choices re-moulded into deadly, subversive club weapons. the brooding darkwave of himmelfahrt 89 is enough to turn the most indifferent bar crowd into swaying, baying denizens of the night, while stay silent pummels out a relentless electro motif that teeters on the edge of destruction for 11 thrilling minutes. these arent crowd-pleasing dj tools, and neither are they slick and easy edits of obvious classics. this is a peek into the inner workings of a man with decades of experience working masses of flesh into a sweaty fever pitch using sounds youve never heard before. the mastering on micks edits was undertaken by none other than dutch electro legend rude 66, while the striking artwork on the sleeve sees arma reach out for the first time to french artist judex. the nerve-shredding, broken op-art assault was originally found in a book published by cult illustrator sam rictus.

office recordings continues to surprise us. after baaz s techno-/ambient-hybrid on office 011 the label from berlin comes up with a stunning new and anonymous project called * one day* featuring four also unnamed tracks. the a-side of the record starts off with a with a superb deep techno track which tempts us with very emotional pads and a strong kick and bass fundament û an irresistible combination. a2 goes in the same direction but feels like the slightly mellower and softer brother of its predecessor û a little bit moody but still straightforward at the same time. the flip side is dedicated to two freestyle electronic tracks standing in the tradition of the best warp offerings from their heyday in the 90s. weÆre talking charming melodies and sparse but elaborate rhythmic patterns. the record comes in a hand stamped and with a lovely artwork also hand made by office art director super quiet. all tracks have been mastered and cut by sound engineering proficient pole at scape mastering.

born in a cave in bordeaux, radiante pourpre is one of the many children of simple music experience, a collective and label floating somewherebetween marseille, paris and bordeaux and which inexorably attracted to itself many outsider experimentalists from the french electronic scene for the past few years. antinote is now reissuing a long out-of-print tape that the duo recorded in 2014 in brusselsÆ art space komplot.

this is a selection of previously unreleased tracks created at home by enrico serotti, without any purpose other than the fun of playing with new musical devices. the tracks date from 1983 to 1999. a pretty long time span, coinciding with the transition from analog to digital technology. cover art by alessandro pessoli.

the cryovac machine operates independently to service the world with an original strain of techno. our people are pioneers of their own sound and seasoned veterans of its cause. this cause is the basis for our action and the motivation for our vinyl. cryovac believes the vinyl format is the truest way to take in our music, and this is why we take great care to personally craft our own plates and photograph our own art. the cryovac approach and stance make it a true oddity in a world of commodities, and we hope you realize, feel, and respect our work. andy vaz is a rebel from the city of cologne. he is a creator of techno labels that follow their own path and challenge the standard dogma. his version of the techno sound has gone from stark and funky minimalism to synth cascades and housey feels. andy vaz is the perfect choice to collaborate with andy garcia. garcia s brand crunchy soul tech mixed with vocal nonsense is the yin to vazs yang. these like minds share a name, a spirit, and a drive to keep moving forward no matter the cost.

dream control is the collaboration of a legend of the krautrock kosmiche scene and a pioneer of the german electronic scene. zeus b. held, renowned producer (gina x performance and works under his own moniker) and steve schroyder (former member of tangerine dream during their formative period) team up to deliver their debut album -zeitgeber- which celebrates their very own sound and rhythm in a cosmic journey through audio and time. the tracks are a blend of structured compositions and improvisations accented by the throat singing of kolja simon und felix monnich aka alienvoices. the album plays like a technicolor adventure through space with explorations of cosmic disco, dreamlike passages, vocoder lullabies, and space odysseys. zeus b. held began his musical career in 1972 in french progressive art-rock band eruption before joining successful german prog rock group birth control, performing and writing with them 1973 - 1978. he was one of the first musicians to use the sennheiser vocoder vsm 201 in his live sets.

first release on his new home mad recordings is by ortella, as an engaged manifesto, music is my shelter is a statement in a pure garage house classic style, 3 versions of the same hit flavored with some mad rhodes by françois a.
ortella, -the king of clubbing in lyon- is back with a new record label, merging all the projects they starts with his partner kaïs in one unique home, mad recordings. the first release on the platform is by the french man himself, served as an engaged manifesto, music is my shelter is a statement for all the house producers around the world, talking about the years of struggle, the faith in the music as an art and the joy to see one day dreams comes true. no surprise about the style, it s a pure garage house ep released in the old style way, with 3 versions of the same hit! original de luxe is a classic extended cut, club friendly, rich of flavor with flying and crying rhodes keyboards by the talented françois a. an anthem that transports you to a time where house music was a religion and clubs were churches. intro de luxe version is a shortened version, perfect to starts a night with the right mood without announcing too much, just enough to warm-up the dance floor with some emotion. dub de luxe is for more modern purists, putting aside for a short period the piano rolls and focusing on what ortella do the best, percussive drums with no compromise, made for releasing the energy level straight from dancers to the floor.

earth, wind & fire are obviously one of the greatest bands of all-time and both of these remixes are works of art in their own right. on the a side we have the much in-demand blaze shelter remix of -fantasy- which stretches this classic to 8.55 and finishes with an unbelievable phillip bailey acappella. as though that wasn t enough we ve put the much sought-after masters at work remix of -can t hide love- - a staple records since its debut in 2002.

kuschel rock , best of 1 - 5 on vinyl

limited super deluxe box-set contains:
- lp on red vinyl (exclusive to this format)
- cd of the album
- bonus-cd of demo versions of tracks on the album
- dvd with a behind-the-scenes making-of documentary and track-by-track interview
- numbered certificate of authenticity signed by andy mccluskey and paul humphreys
- exclusive photos, notes about the album and artwork
- all presented in a lavish 12x12 inch hardback coffee table book